If Jakobs Castle were a physical place, it would exist somewhere in the present that’s also rooted in history—and that’s exactly how Jakob Nowell approached the 14 songs that make up Enter: The Castle. As the son of Sublime’s legendary frontman Bradley Nowell, there is no denying that Jakob is influenced by his father’s music and legacy. However Jakobs Castle is anything but a nostalgic rehash. Instead these songs are remarkably cutting-edge while still retaining the keen sense of melody that endeared his father’s music to millions of people all over the world. Nowell has described the project as “mixing California’s past with the fresh mystery of internet underground culture” and that’s a good place to start. But it’s only the tip of the proverbial iceberg when it comes to the sonic and emotional depth of this varied collection of songs.
As the COVID-19 pandemic spilled into 2021 and THE WORLD IS A BEAUTIFUL PLACE & I AM NO LONGER AFRAID TO DIE wrapped their fourth album, ILLUSORY WALLS, the Connecticut-formed indie/post-rock quintet had no idea when – or if – they’d get to bring their most ambitious set of songs to audiences. “I actually assumed we wouldn't play this stuff live,” guitarist Chris Teti says matter-of-factly. “Being a live band is really important to us, but we still felt like we had to make this record as personal fulfillment.” So they waited, watching the calendar as tours got scheduled, postponed, rescheduled and canceled. Eventually, the band (Teti, vocalist David F. Bello, keyboardist and vocalist Katie Dvorak, bassist Joshua Cyr and drummer Steven K. Buttery) knew they had to take matters into their own hands, setting out on a headlining tour in October 2021 amidst the greatest personal and professional uncertainty they’d ever faced. The resulting Epitaph Records live album and documentary, THANK YOU FOR BEING HERE (Live), is a revealing look at a band hailed by Pitchfork as “a generational voice” in the underground and by Alternative Press as one of the greatest Epitaph Records bands of all time. It’s a rock doc, yes, highlighting the band’s raved-about live show – a blissfully cacophonous swirl of energy, anxiety and catharsis – but also a historical time capsule, capturing America’s tentative re-awakening from the most surreal events in modern times as well as the lengths TWIABP is willing to go to continue their life’s passion.