Asbury Park is the reason. The languid beach community of Asbury Park, New Jersey, has long been a port-of-call for many a disaffected musician from Springsteen at The Stone Pony to countless punk and hardcore festivals at Asbury Lanes and Convention Hall. Against this backdrop of rock and punk history comes BEACH RATS. “I had moved to Asbury Park,” recounts guitarist Brian Baker. “And it turned out that Pete [Steinkopf] and Bryan [Kienlen] from the Bouncing Souls were sniffing around and had the idea to do a fun side-band with Ari Katz from Lifetime. They had recently played together at a memorial for Dave Franklin [Vision frontman, R.I.P.] and had a blast. That was the foundation of it. Like most of my career, I walked into a pre-existing situation, ready to go. They were talking about it and I was immediately like, ‘I want to be in a band! Bands are great, let’s go!” With a membership that includes four impossible-to-avoid New Jersey punk stalwarts (rounded out by Danny Windas, AKA “Dubs” on drums) and Baker, an architect of American hardcore, the common denominator for BEACH RATS was simple. “We all live at the beach and everybody goes to the beach when they’re not working,” says Brian. “There’s a vibe. Being a year-round beach person, seeing the town empty out at the end of summer, there’s definitely a bond. We all see each other all the time. We’re friends and we enjoy getting together and creating stuff on the fly.”
Death Lens want to be in your ear at all times. They hide their ferocity underneath a thick veneer of style until the energy and chaos of one of their live shows leaves every audience member disarmed and forever changed. Off the strength of 2022’s No Luck, tours with Militarie Gun and Together Pangea, and the support of their hometown, Death Lens is releasing their new album, Cold World, May 3rd on Epitaph Records. For Death Lens, it’s all been building to this. Cold World is a departure from the early styles Death Lens mimicked as a young band, transmuting them into matured and brawny post-hardcore tinged rock songs. On record, Death Lens have an established habit of writing hard-nosed rock that combines West Coast reverbed-out surf punk with tight and bouncy Britrock, deceptively characterizing the band as exclusively chill and vibe-focused when live, a Death Lens show has all the energy of hardcore. Slick guitar sonics and sugary backing vocal harmonies that feel like the best parts of indie punk and shoegaze are the foundation of their style, but in a 200 capacity room, Death Lens brings the same winning concoction as Turnstile and Militarie Gun. In other words, these are the kinds of songs that become the soundtrack to enduring memories of nights of drunken, sweat-drenched singalongs.